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Wosene Worke Kosrof: Words Matter, Two

Past viewing_room
25 June - 31 August 2020
Open a larger version of the following image in a popup: Wosene Worke Kosrof, Sea of Words IV , 2018
Open a larger version of the following image in a popup: Wosene Worke Kosrof, Sea of Words IV , 2018

On the Road – B, 2018, acrylic on linen, 18x16 inches 

Open a larger version of the following image in a popup: Wosene Worke Kosrof, Sea of Words IV , 2018

Season of Change VII, 2020, acrylic on linen, 30x30 inches

Open a larger version of the following image in a popup: Wosene Worke Kosrof, Sea of Words IV , 2018

Bridge of Words III, 2018, acrylic on linen, 21x24 inches

Open a larger version of the following image in a popup: Wosene Worke Kosrof, Sea of Words IV , 2018

The Good Earth II, 2016, acrylic on linen, 24x21 inches 

Wosene Worke Kosrof

Sea of Words IV , 2018
acrylic on linen
52x48 inches
Signed and dated 2018

Further images

  • (View a larger image of thumbnail 1 ) Wosene Worke Kosrof, The House of Words III, 2017
  • (View a larger image of thumbnail 2 ) Wosene Worke Kosrof, The House of Words III, 2017
  • (View a larger image of thumbnail 3 ) Wosene Worke Kosrof, The House of Words III, 2017
  • (View a larger image of thumbnail 4 ) Wosene Worke Kosrof, The House of Words III, 2017
  • (View a larger image of thumbnail 5 ) Wosene Worke Kosrof, The House of Words III, 2017
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Wosene Worke Kosrof’s recent work continues his long-standing exploration of the interplay between language, identity, aesthetic beauty and material using the language symbols of Amharic – one of the few...
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Wosene Worke Kosrof’s recent work continues his long-standing exploration of the interplay between language, identity, aesthetic beauty and material using the language symbols of Amharic – one of the few ancient written systems in Africa – as a core compositional element. His work is dense with visual complexity that reflects an awareness of a vast array of both formal and inherited traditions. He relieves words of conventional meanings and, instead, explores their aesthetic, sensual, and visual content to speak boldly and clearly to a universal audience. With Amharic calligraphy, Wosene explores the aesthetic dimensions of the script rather than producing legible text. "I am seeking the poetic or artistic value of the "fiedel" or language symbols themselves, and I see my work as visual poetry. The writing in my painting does not tell a literal story, but rather a visual story. The Amharic "fiedel" are extremely beautiful and have rhythmic and dancing forms. I "choreograph" them on canvas, I cut them apart, turn them upside down, repeat sections of them to discover the beauty of written language and to think about how we communicate. I communicate with color, line and composition, rather than with sounds, conventional words and literal narratives". 

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Exhibitions

Wosene (his professional name) was born 1950 in Addis Ababa, Ethiopia and received a BFA from The School of Fine Art, Addis Ababa and an MFA from Howard University, Washington DC in 1980. He is an artist of international reputation, widely exhibited in Africa, Europe, Japan, the US and the Caribbean. Selected museum exhibitions include: Keith Haring Museum of Japan, Kobuchizawa, Japan, 2017;  Sharjah Museum Calligraphy Biennial, UAE, 2014; Transformations: Recent Contemporary African Art Acquisitions, Fowler Museum, UCLA, Los Angeles, CA, 2009; Newark Museum, Newark, NJ 2004; National Museum of African Art, Smithsonian Institution, Washington DC 2004; Philadelphia Museum of Art, PA; and Seven Stories about Modern Art in Africa, Whitechapel Gallery, London 1995.

Collections include the National Museum of Ethiopia, Addis Ababa; The National Museum of African Art, Smithsonian Institution, Washington DC, Virginia Museum of Fine Arts, Richmond, VA; The Newark Museum, NJ; The Neuberger Museum at Purchase, NY; Birmingham Museum of Art, AL; Indianapolis Museum of Art, IN; Keith Haring Museum of Japan, Kobuchizawa; North Carolina Museum of Art, Raleigh, NC; Fowler Museum, UCLA, CA; Samuel P. Harn Museum, University of Florida, Gainesville, FL; and The Voelkerkunde Museum, Zurich, Switzerland as well as many international private and corporate collections. 

Literature

Word Power Wosene Worke Kosroff Mergesthe ancient beauty of Ethiopian Writing with Modern Astraction. By John Dorfman Art & Antiques June 2020.

Publications

WORD PLAY:: The Life of Script in Paintings and Sculptures. 
National Museum of Ethiopia, Addis Ababa, Ethiopia 2010
Forword by Wosene Worke Kosrof, Introduction by Mary Nooter Roberts and Allen F. Roberts
Visual Poetry/Performing Script by Christine Mullen Kreamer and Allyson Purpura
11x10 inches, 79 pages.
MY ETHIOPIA : Recent Paintings, Curated by Christa Clarks, Ph.D, The Newark Museum,
Neuberger Museum of Art Purchase College, State University of New York. 12x9 inches, 31 pages.
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